Ives gives a program without fixing every listener’s answer
Read the changing motion of Ives’s proposed Thoreau program beside his own refusal to make every listener hear its intended meaning.
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The Velvet Riot archive
Read the changing motion of Ives’s proposed Thoreau program beside his own refusal to make every listener hear its intended meaning.
Two requests in Lady Wallace’s translation connect the materials of writing music with the people and places needed to copy it.
Read two adjacent English aphorisms in Henry Hugo Pierson's Schumann translation, following the shift from direct instruction to an imagined mistaken practitioner.
Read a complete original eight-bar quarter-note model, then trace the return that turns eight printed measures into twelve visits.
An original letter-based comparison changes only a tie between two C4 quarter notes, separating printed symbols from the duration they represent.
One original letter-based musical line shows why a silent value should remain in a duration note instead of disappearing between the pitches.
An original six-unit paper model separates the number of subdivisions from the way beats group and divide.
An original fixed-tempo example separates the number of complete beat intervals from the time they occupy.
An original fictional trio conversation separates a musical change, its location and the agreement needed before another attempt.