The final page of a small publication can tell a reader how the object came together. The Library of Congress Russell Maret glossary, using definitions from Opening Artists’ Books, describes a colophon as publishing information. For a zine, that offers room for a precise production note rather than one broad credit that absorbs several people’s work. The example here is an original fictional proposal, not a report about a printed edition or an attribution to real contributors.

Begin with the identity of the proposed object

Imagine a sixteen-page zine called Window Notes, built around a short essay and an original photographic sequence. Its proposed production note begins: Window Notes; first proposed edition; November 2026; sixteen pages. Those details identify the imagined publication and its intended version. They do not certify a print run, an ISBN, a publication event or an edition already offered for sale.

The distinction is useful while a project is being prepared. A production file can hold proposed information, but the final public note should reflect what actually happened. If a project changes from sixteen pages to twenty, the note needs to change with it. Keep a draft production plan separate from a statement that copies have been made.

Separate contributions by the work performed

In this fictional example, Contributor A wrote and edited the essay, Contributor B made the photographs, and Contributor C designed the pages and prepared the print file. The proposed note names those roles separately. The letters are explanatory labels inside this example, not ready-to-publish credits or invented names for real people.

A single phrase such as “made by the team” would conceal distinctions that matter to this project. Writing an essay is different from choosing a sequence of photographs; arranging a page is different from operating a press. If one person genuinely performs several roles, the note can say so. It need not create separate people to make a small production appear larger.

Leave printing and materials open until confirmed

The next part of the imagined note records the printer, process, paper and binding only after those details are confirmed. During planning, keep them in a private production checklist. A paper swatch is not proof of the stock used in finished copies, and requesting a quotation does not establish that a printer produced the edition.

A concise final colophon could then connect the named contributors with the actual printer and edition date. Add a material description when it helps a reader understand the object, using the supplier’s correct description rather than an unsupported environmental or archival claim. This example supplies no tested paper life, certified sourcing or observed print quality.

Make the note readable before making it decorative

For the proposed layout, give the publication identity its own line, group the contribution credits together, then place production details below them. This is an original editorial arrangement, not a universal format prescribed by the Library of Congress. Read the note at the intended printed size before treating a tiny line of type as adequate simply because it fits.

If buying design or print services, ask which stages the quotation includes and who supplies the final production information. The colophon does not itself grant image rights, settle a contract or replace permission from contributors. Its modest purpose is to keep the actual work and production history legible when the publication is ready to describe them.

Sources & further reading

Published sources for the details and examples discussed in this story.